Sabrina Carpenter’s Man’s Best Friend Cover Forces Us to Ask: Who, Exactly, Is the Bitch?

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By Spinfork Staff | Score: 7.9

The curtain is white. The dress is short. The lipstick is unapologetic. The leash? Implied.

Sabrina Carpenter, pop’s reigning pastry-slicked provocateur, has unleashed a new era with the cover of her upcoming project Man’s Best Friend. And with one glance, the internet collectively asked: Is this feminism, a fetish, or just really expensive lighting?

She’s crouched on all fours, staring directly at the camera with a gaze that could both top and sub you into silence. A mystery man—clad in faceless, all-black authority—grips a fistful of her platinum hair like a leash made of choices. She’s not smiling. She’s not resisting. She’s somewhere between the American Girl Doll aisle and your ex’s search history.


The Feminist Subtext of Getting Dragged, Hotly

To call this cover “polarizing” is like calling Espresso “a little flirty.” Within moments of the drop, the internet devolved into a taxonomy of takes:

  • Is it ironic?
  • Is she in control?
  • Is it still empowerment if you’re the one getting yanked like a clearance bin Barbie?
  • Does this count as dogplay? And if so, why is it kind of working?

“This isn’t the male gaze—it’s the mall gaze,” says Dr. Paloma Sneed, pop aesthetics theorist and founder of the Post-Britney Erotic Image Lab.
“It’s subversion dressed as submission. She’s not leashed—she’s launching.”


When Kink Becomes Brand Strategy

Sabrina’s career has been a masterclass in micro-provocation: a wink here, a whip-cream innuendo there. But Man’s Best Friend is different. This isn’t just playing with imagery. This is weaponized iconography.

She’s not just posing like a pet—she’s daring you to project onto it. And project, we did:

  • “This is what happens when you grow up on Tumblr and forget to log off.”
  • “Can’t believe my Roman Empire is now a 25-year-old girl in kitten heels pretending to be a Labradoodle.”
  • “If Lana is coquette Catholicism, Sabrina is hot girl Protestantism with a side of leash kink.”

Score: 7.9 – Aroused, Confused, Spiritually Wrestled

There will be discourse. There will be thinkpieces. There will be one guy in The Atlantic who says this cover ruined his marriage.

But in the canon of pop girl provocations, Man’s Best Friend is a perfectly choreographed bite. It’s messy, unbothered, deeply unserious—and yet precisely engineered to make you take it seriously.

So… who, exactly, is the bitch?

That’s between you and your therapist. But one thing’s for sure: she’s already off-leash.

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